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LUCID DREAMING

Dream interpretation, lucid dreaming, dream recall, conscious control of dream elements and various other methods of dream yoga are examined.  Much of this material is based on Dzogchen (Tibetan Buddhist) and Toltec (Native American) practices.  Freudian and Jungian psychological perspectives on dreaming are also examined.

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GENERAL

THE INVISIBLE SELF

The dreaming process is one of the most fascinating and mysterious aspects of awareness.  As it is typically a rather murky, relatively unconscious affair, we tend to overlook its significance.  It is this very element of differing, and subtler awareness, however, that makes this dreaming process of particular use to us when pursuing the path of mindfulness.  In "turning off" or at least sidestepping our normal, waking consciousness, the states of dream and sleep allow access to deeper, hidden aspects of the self.  To the degree that we learn to work skillfully with dream material, we are able to understand and integrate otherwise "invisible" aspects of our personalities and psyches.

Dreamwork has a variety of uses and techniques, including those related to psychology, meditation, spirituality and creativity.  A few of these dreamwork aspects are listed below:

  • increased retention of dream material

  • analyzing dream content to better understand the organization of the personal unconscious

  • analyzing dream content to better understand the Jungian "collective unconscious"

  • increased dream awareness, eventually leading to full lucidity—or a kind of waking awareness—in the dream state

  • conscious control of dream content

  • resolution of unconscious, or otherwise hidden, psychological and spiritual tensions

  • deepening of meditation practice

  • realization of the "clear light" and other mystical states of oneness

  • relief from insomnia and other sleep-related difficulties

  • increased compassion for, and understanding of, others

  • working through of phobias, anxieties and other deeply-imbedded conflicts

  • remote viewing, clairvoyance, inner plane teachings and other aspects of so-called paranormal experience

In addition to being essential to the many traditions of Western depth psychology and psychotherapy, dreamwork works hand-in-hand with the meditative practices of concentration and contemplation.  In the same way these practices calm the mind and thereby bring more and more understanding and awareness to its habitual movements, they also allow for a greater integration of the sleeping and dreaming mind.  Ultimately, the processes of sleep and dream are simply aspects of our ordinary minds, facets of our ordinary selves and personalities, which are no more, nor less, important than the workings of our waking mind.  Consequently, if we are to ever truly realize the totality of the self, we must learn to "wake up" to these subtle avenues of awareness.  Inversely, progress in dreamwork leads to a significant deepening of meditative states. 

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LUCID DREAMING

WHAT IS LUCID DREAMING?

Simply put, lucid dreaming is the process of "waking up" within a dream and, ultimately, gaining conscious control of its elements.  Lucid dreaming is sometimes referred to as astral travel and out-of-body experience.  Typically, dream lucidity develops through a combination of meditation practice and dream yoga—a discipline particularly refined by the Tibetans and Native Americans.  With increased capacity for lucid dreaming, we may begin to consciously share the dream space of others, benefit from very high, abstract teachings from "inner plane" teachers, access the akashic records and enjoy any other number of esoteric or mystical experiences.

 

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Although lucid dreaming practice may initially sound rather exotic and intimidating, its ultimate goals are extremely practical.  Once we begin to achieve varying degrees of lucidity within the dream state, various practices are suggested.  One such practice, as described in Build A Better Buddha, is as follows:

BOOK EXCERPT

OVERCOMING FEAR

The key to this method, Tsongchapa says, is simply to "Recognize dream objects as dream objects."1 Interestingly, even if you are experiencing a very stable lucid dream—meaning you are aware and confident of the illusory nature of your environment—your old cognitive habits are likely to interfere. I have a real problem with snakes, for example, and I can’t even look at one without feeling a little uncomfortable. When I first began dream yoga, I would encounter snakes time and again. I would be fairly sure I was dreaming, but not entirely. Often, when these snakes began to crawl around on me I would panic, waking myself up. In time, however, I learned to stay relaxed and focused. As hundreds of snakes would crawl around on my body, I would remind myself that dream snakes couldn’t harm me. Soon enough, these snakes would dissolve into my body and I would be transported into higher and higher realms. Once again, this practice of fearlessness should translate into your daily life. If you have a fear of elevators, for instance, you might recognize that all elevators, waking and non-waking, are essentially dream elevators and can’t harm you.

PRACTICING WAKING FEARLESSNESS

lucid dreaming practicesOvercoming fear in your daily life will greatly increase your success in dream yoga. Obviously, it’s important to be reasonable. If you lie down on the highway, you are just going to get run over by a very real vehicle. Say you have always wanted to get up and sing at a Karaoke bar, however, but have just been too intimidated. This is a pretty safe, although likely terrifying, exercise. Once again, remind yourself that all Karaoke bars are dream Karaoke bars in the sense that no true harm can come to you from getting up and singing. This doesn’t mean, I should say, that you won’t be terribly embarrassed, nor does it guarantee that people won’t laugh at you. In fact, if such guarantees were possible, it wouldn’t even be a worthwhile practice, right? Instead, no matter what might happen, no matter how humiliating the experience, you will still endure. Your awareness will continue. Moreover, to the degree that such an experience is truly difficult and terrifying, it will only bring deeper confidence into your experience of yourself as a continuous unfolding of awareness, thereby allowing for the loosening of the various limits and rules you place on yourself from day to day.

BEYOND LIMITS

As in so many of the other practices we have so far explored, the ultimate goal of overcoming fear in dream yoga is to become a being without limits, a being without compelling preferences and strong dislikes. Once you realize that, in a very real way, you are the author of your own experience from moment to moment, what need is there for fear? If you find yourself in some unpleasant situation, you can simply alter its contents to better suit you. On the other hand, as a practical example, if I’m stuck in a traffic jam in the real world, I can’t exactly levitate my vehicle and fly to my destination. Still, I can change my mental focus, alter the way I perceive the event. It’s not that something obnoxious, or even unfortunate, is happening to me, it’s simply that the other drivers and I are doing a kind of karmic dance together. I am being given an opportunity to grow, to learn more about my awareness. Detaching from my habitual ego story in such a stressful situation, the external circumstances remain real, but I am able to perceive as illusory the various reasons I used to fear such situations.

Ironically, the more you lessen your fear, the more you realize every moment is already just the way it needs to be. A traffic jam may very likely make you late for work, but such unpleasant circumstances can become uniquely effective tools for increasing flexibility. The more your practice of fearlessness develops in dream yoga, you begin to realize that all of your individual preferences are manifestations of one sort of fear or another. As you recognize this innate problem with attachment, it is not that you melt into some sort of homogenous blob of awareness. Rather, you simply learn to enjoy more satisfaction regardless what happens to you. Your attachments remain, but—all things being illusory and impermanent—you no longer cling to them so urgently. As your flexibility in the dream state continually expands, your seemingly individual wants, wishes, and desires are gradually, bit by bit, becoming the way of the Tao itself.

To examine the many practices for cultivating dream lucidity is simply not within the scope of this site.  The basic structure for the majority of lucid dreaming techniques is a very simple one.  We can compare it to the practice of concentration.  In this practice, we attend to a single object of focus—the breath, for instance—and note the ways in which we get distracted from this object by various thoughts, feelings, sensations, etc., all the while gently returning our focus to our breath.  Similarly, in dream practice, we would follow some object of focus into sleep.  If we are accustomed to working with our breath in concentration, we might try to follow our breath into sleep, noticing when we lose our focus and simply fall asleep, etc., essentially learning to integrate our practice of concentration with the natural process of sleep and dream.  For this reason, stability in concentration and contemplation is essential to success in dream yoga.

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THREE CATEGORIES OF DREAMS

As our dream practice develops, we begin to experience various levels or layers of the latent self.  Consequently, systems of dream yoga tend to classify our dreams according to their varying levels of depth.  The Tibetans conceptualize dream and sleep experience within the following three categories:

Loosely speaking, our dream awareness gradually develops from a relative state of ignorance—the state in which ordinary dreams arise—to states of very stable, refined and non-dualistic awareness—states in which experiences of the clear light manifest.  The three categories which mark, more or less distinctly, our progress along this path are described below:

Ordinary dreams:  These are the sorts of dreams the vast majority of us experience on a nightly basis.  For this reason, Western psychology has so far dealt almost exclusively with this layer of dream awareness.  In such a dream, the individual essentially encounters coded or symbolic aspects of his or her personality most typically those aspects which are unwanted or unacceptable within the conscious confines of his or her ego.  Below, the Freudian approach to ordinary dreams is examined:

BOOK EXCERPT

FREUD AND THE PERSONAL UNCONSCIOUS

Freud hypothesized that the mind is composed of two basic parts: the conscious and the unconscious. The unconscious is simply that part of the mind that we can’t access in an intentional way—not directly, at least. After all, that’s what makes it the unconscious. For Freud, the unconscious consisted mostly of two sorts of data: latent, or temporarily unconscious, and repressed. We each know we have forgotten certain significant life experiences, but how do we know? Such experiences, according to Freud, are simply latent. They were conscious once, but now—for whatever reason—they have faded from our readily accessed, daily consciousness. Even so, such experiences leave a sort of footprint in our head somewhere—a kind of secret elf, half-suspected but never quite caught, making shoes in the shadowy corners of our mind. We could say that latent unconscious material is recognized, however vaguely, through the "secret helper" of the natural mind discussed in chapter 7.

freudain dream interpretationSome psychological data, says Freud, has never exactly been conscious. Freud considers this to be repressed data—"processes . . . which if they were to become conscious would be bound to stand out in the crudest contrast to the rest of the conscious process.2" Due to these habitual repressions, many emotional difficulties tend to recur. Some time in the past, each of us has unintentionally held back certain thoughts or wishes that we thought didn’t fit in very well with our idea of "Who I Am." As a kind of automatic strategy, we have stored these unacceptable thoughts and wishes for later processing in the deeper layers of the psyche, and learned to protect them from conscious manifestation through a complex array of psychological defenses. These packages are too heavy and unwieldy right now, we decide, so we’ll let the elusive elephant of the unconscious carry them for a while. . .

CATHEXIS OF UNCONSCIOUS MATERIAL

Unconscious material remains hidden from our everyday awareness. We may vaguely suspect that elf of lost internal and external experiences is in there somewhere, but as soon as we poke our head around the corner, trying to catch him, he disappears into impossible nooks and crannies. Over time, we can imagine this elf calling over other elves to join the party until we have a confused, tangled knot of drunken elves heaped up in a stuffy little psychological corner somewhere. Freud called this tangled, pressurized little knot of unconscious material, be it latent or repressed, a cathexis. The main goal of psychoanalysis, then, is to achieve a catharsis, or discharge, of the mental energy tangled up in these little knots. Using the processes of dream analysis and free association, Freud believed we can somehow sneak up on our secret elf colonies and break the party up. Approaching from the mental periphery, we can gradually unpack unconscious material into our ordinary conscious, where we can then neatly tuck it away into the cozy drawers and cupboards of our daily awareness.

Not surprisingly, given his view of the unconscious, Freud believed dream material was primarily motivated by traumatic memories, repressed wishes, and forbidden impulses hidden just out of our conscious reach. Consequently, dreaming somehow releases this charged energy by acting out our wishes in a disguised or symbolic way.

EXAMPLE DREAM INTERPRETATION

Let’s examine a theoretical dream to see how a typical Freudian dream analysis might be applied. Suppose I have a dream in which my much-beloved childhood dog, Fido, is angrily trampling through a garden of yellow roses. Now given just this much, there is no secret psychoanalytic decoder ring, no prearranged interpretation for the elements "childhood dog" and "yellow roses." Instead, I would be encouraged to talk freely about any associations I might personally have to these elements—a process known as free association. Well, as it turns out, I always thought of Fido as an unfailingly loyal companion, in much the same way I imagine myself to be a steadfast and faithful friend to others. I identify with Fido, that is to say. As for the yellow roses, I find myself suddenly remembering a family reunion from my childhood in which my mother was wearing a dress with a yellow flower print. This was the same day, it so happens, that my mother wouldn’t let me eat my chocolate cake because I hadn’t finished my barbecue sandwich. A possible interpretation of this dream, then, might be that Fido—who represents me—trampling the yellow roses—which represent my mother—is symbolic of my repressed anger toward my mother. Why not just dream about yelling at my mother, then? Once again, like Freud said, maybe I consciously adore my mother and couldn’t integrate such feelings of intense and childish anger very easily into my normal, waking awareness.  Consequently, I let the elephant handle the dirty work, let the unconscious absorb the burden of my undesirable feelings. Here enters Fido and the roses as camouflaged pointers of a sort, trying to sneak these unacceptable impulses past the gate of my conscious awareness.

For Freud, then, the unconscious is very much a personal matter. Each person has developed an autonomous set of symbols that can only be decoded by allowing the conscious mind to relax and wander onto a sort of translation. It is on this last point that Carl Jung, another psychologist famous for dream work, departs somewhat from Freud.

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Dreams of clarity:  As was hinted above, Carl Jung believed dreams to be a somewhat less personal affair.  Although a dream involving the Jungian "collective unconscious" is not yet a full-blown dream of clarity, Jung's ideas provide us a logical "way in" to the conceptualizing of dreams of clarity:

BOOK EXCERPT

JUNG AND THE COLLECTIVE UNCONSCIOUS

Jung agreed with Freud, for the most part, that dreams seemed to represent hidden or unacceptable aspects of an individual’s personality. Dreaming, both men more or less agreed, was a secret balancing act that kept a coded record of the entire individual. Jung, however, distinguished between a personal unconscious, which was more or less the Freudian unconscious, and a kind of shared, or collective unconscious. In Jung’s words, the contents of the collective conscious "have never been individually acquired, but owe their existence exclusively to hereditary."3 This collective unconscious, according to Jung, was most clearly present in dreams of a particularly powerful, and relatively impersonal nature. Such dreams contained archetypes, deeply implanted symbols repeatedly referenced throughout the history of spiritual belief, myth, art, and folk tales. According to Jung, these archetypes are "pre-existent . . . definite forms in the psyche which seem to be present always and everywhere."4 Instead of these personally pesky elves inhabiting the hidden regions of our mind, we now encounter something much more abstract. Rather than actual elves, we might say we encounter the pure, pre-existing idea of, or original mold for, Elf.

EXAMPLE DREAM REINTERPRETED

jungian dream interpretationTo illustrate these Jungian ideas more clearly, let’s reexamine my Fido dream, but this time adding the Jungian element of the archetype. Fido isn’t just trampling any old garden of yellow roses. This time, the flowers are planted in rows of repeating circles. These circles, for Jung, call to mind the mandala. For Jung, the mandala and other archetypal symbols, "beyond question . . . originated in dreams and visions, and were not invented by some . . . church father."5 Such a symbol, then, doesn’t exactly arise out of my personal experience—it’s just sort of "in there" from birth. Now, I’m not just angry with Mommy. Now, as indicated by the appearance of an archetypal symbol, I am also interacting with something much more ancient than any one person or group of people. We might say that I seem to be questioning the very order of the universe itself, the mind of the divine Self. My attempt to break the perfect circles of the roses, then, is no longer strictly a personal matter. My dream is now part of a sort of pervasive heritage of symbols in which a person struggles to individuate amid the impersonal ocean of awareness, the collective conscious. This idea of a communal, shared unconscious is of great significance in the practice of dream yoga.

Jung's idea of a collectively shared unconscious space or mold is, taken to its furthest implications, a way of recognizing the ultimate interrelatedness of all individuals.  Once I begin to let go some of my tightly-clutched personality hang-ups, conflicts, judgments and so forth, say the Tibetans, I begin to experience this much broader space of hidden awareness.  Now my dreams are no longer simply "all about me"—now they include direct, objective, real-world aspects of other individuals and events.  Within this context, dreams of clairvoyance begin to arise, as do dreams of authentic teaching and other sorts of esoteric knowledge.  Most significantly, at this layer of dream awareness, we are beginning to prepare the way for experiences of the clear light state.

Clear light states:  These are states of awareness which can be realized both in REM and non-REM sleep, and therefore need not be proper dreams at all.  There are a variety of forms the clear light state can take, all of which share one essential aspect: non-duality.  Whereas in the above categories of dream experience there was a central observer somehow interacting with an external scene, there is no such split or duality in clear light states.  To illustrate, let's suppose that ordinary dreams and dreams of clarity are much like an individual watching events on a movie screen.  In a clear light state, however, the movie screen is somehow watching itself.  There is no external witness, that is to say, no center of awareness outside of the events themselves.  The dreamer has become a verb rather than a noun, we might say, a dynamic event rather than a fixed observer.

When clear light dreams first begin to manifest, they tend to take the form of colorful, abstract geometric shapes.  These shapes shift fluidly, emerging from, and dissolving into, one another—much like the shapes of a kaleidoscope.  Typically, this movement of shapes contains a sound, a kind of energetic hum or buzz, which is somehow inseparable from the visual play of color and form. 

RECOGNIZING THE ELEMENTS

With increased stability within the clear light state, the dream practitioner begins to recognize him or herself very directly within this odd sort of kaleidoscope.  He or she begins to realize that what is being observed is nothing other than the fundamental building blocks—what the Tibetans call the elements—of both the individual and collective self, the mold for all internal and external experience.

 

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REFERENCES

  1. Glenn H. Mullin, trans. and ed., Tsongchapa’s Six Yogas of Naropa (Ithaca, NY: Snow Lion, 1996), p. 182.

  2. Sigmund Freud, "The Unconscious" (1915), in Peter Gray, ed., The Freud Reader (New York: Norton, 1989),  p. 578.

  3. Carl Jung, "The Concept of the Collective Unconscious" (1936), The Archetypes and the Collective Unconscious, Collected Works of C. G. Jung, vol. 9i, in Joseph Campbell, ed., The Portable Jung (New York: Viking, 1971), p. 60.

  4. Ibid.

  5. Campbell, The Portable Jung, p. 45

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